Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: i. Sinfonia
Track byVarious Artists
0
0- 2013.03.26
- 7:29
歌詞
It was a sunday morning I was way too young for this day The phone rang, and her fates changed And that's when all the pain came I sat there trying to comprehend I'll never see my dad again He never saw me singing He never saw me spell my name And the images won't fade Your voice, my joy, your pain It's painted on my brain No matter what I do or say Another sunday morning The biggest day of my life She said "there's something inside me Nine months and you will meet him" In the delivery room I'm a patient boy I wait, I wait, I wait For the new life we created If he's watching above would he be proud? It's painted on my brain Your voice, my joy, your pain It's painted on my brain No matter what I do or say These images won't fade PAINTED ON MY BRAIN These images won't fade Your voice, my joy, your pain It's painted on my brain No matter what I do or say These images won't fade Your voice, my joy, your pain It's painted on my brain No matter what I do or say These images won't fade
293曲 | 2013
このアルバムの収録曲
- 1.Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903)
- 2.Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948)
- 3.Italian Concerto, BWV971: i. Allegro
- 4.Italian Concerto, BWV971: ii. Andante
- 5.Italian Concerto, BWV971: iii. Presto
- 6.Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey)
- 7.Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad)
- 8.Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends)
- 9.Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be)
- 10.Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione
- 11.Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione
- 12.Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin
- 13.Toccata in C Minor, BWV911
- 14.French Suite No. 3 in B Minor BWV814: i. Allemande
- 15.French Suite No. 3 in B Minor BWV814: ii. Courante
- 16.French Suite No. 3 in B Minor BWV814: iii. Sarabande
- 17.French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio
- 18.French Suite No. 3 in B Minor BWV814: v. Gavotte
- 19.French Suite No. 3 in B Minor BWV814: vi. Gigue
- 20.French Suite No. 4 in E-flat Major, BWV815: i. Allemande
- 21.French Suite No. 4 in E-flat Major, BWV815: ii. Courante
- 22.French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande
- 23.French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte
- 24.French Suite No. 4 in E-flat Major, BWV815: v. Air
- 25.French Suite No. 4 in E-flat Major, BWV815: vi. Menuet
- 26.French Suite No. 4 in E-flat Major, BWV815: vii. Gigue
- 27.Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme
- 28.Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt
- 29.Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil
- 30.Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake')
- 31.Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir
- 32.Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein!
- 33.Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen
- 34.Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden
- 35.Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt
- 36.Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn
- 37.Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg
- 38.Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm
- 39.Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest
- 40.Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl
- 41.Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein
- 42.Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt
- 43.Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor
- 44.Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt
- 45.Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht
- 46.Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr
- 47.Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir
- 48.Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib
- 49.Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken
- 50.Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren
- 51.Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz
- 52.Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich
- 53.Magnificat in D, BWV243: i. Coro: Magnificat anima mea
- 54.Magnificat in D, BWV243: ii. Aria: Et exsultavit spiritus meus
- 55.Magnificat in D, BWV243: iii. Aria: Quia respexit humilitatem
- 56.Magnificat in D, BWV243: iv. Coro: Omnes generationes
- 57.Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna
- 58.Magnificat in D, BWV243: vi. Duetto: Et misericordia
- 59.Magnificat in D, BWV243: vii. Coro: Fecit potentiam
- 60.Magnificat in D, BWV243: viii. Aria: Deposuit potentes
- 61.Magnificat in D, BWV243: ix. Aria: Esurientes implevit bonis
- 62.Magnificat in D, BWV243: x. Terzetto: Suscepit Israel
- 63.Magnificat in D, BWV243: xi. Coro: Sicut locutus est
- 64.Magnificat in D, BWV243: xii. Coro: Gloria Patri
- 65.Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: i. Adagio
- 66.Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: ii. Allegro
- 67.Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iii. Andante
- 68.Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iv. Allegro
- 69.Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: i. Adagio
- 70.Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: ii. Allegro assai
- 71.Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco
- 72.No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iv. Presto
- 73.Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: i. Adagio
- 74.Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: ii. Allegro
- 75.Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto
- 76.Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro
- 77.Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: i. Siciliano
- 78.Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: ii. Allegro
- 79.Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio
- 80.Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iv. Allegro
- 81.Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo
- 82.Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: ii. Allegro
- 83.Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio
- 84.Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace
- 85.Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: i. Allegro
- 86.Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: ii. Largo
- 87.Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iii. Allegro
- 88.Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iv. Adagio
- 89.Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: v. Allegro
- 90.Passion According to St. Matthew, BWV 244: 1. Chorus: Kommt, ihr Töchter, helft mir klagen
- 91.Passion According to St. Matthew, BWV 244: 2. Recitative (Evangelist, Jesus): Da Jesus diese Rede vollendet hatte
- 92.Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen
- 93.Passion According to St. Matthew, BWV 244: 4. Recitative (Evangelist): Da versammelten sich die Hohenpriester
- 94.Passion According to St. Matthew, BWV 244: 5. Chorus: Ja nicht auf das Fest
- 95.Passion According to St. Matthew, BWV 244: 6. Recitative (Evangelist): Da nun Jesus war zu Bethanien
- 96.Passion According to St. Matthew, BWV 244: 7. Chorus: Wozu dienet dieser Unrath
- 97.Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete
- 98.Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du
- 99.Passion According to St. Matthew, BWV 244: 10. Aria (Alto): Buß und Reu
- 100.Passion According to St. Matthew, BWV 244: 11. Recitative (Evangelist, Judas): Da ging hin der Zwölfen einer
- 101.Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz
- 102.Passion According to St. Matthew, BWV 244: 13. Recitative (Evangelist): Aber am ersten Tage der süßen Brot
- 103.Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere
- 104.Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt
- 105.Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's?/ Chorale: Ich bin's, ich sollte büßfen
- 106.Passion According to St. Matthew, BWV 244: 17. Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand mit mir
- 107.Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt
- 108.Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken
- 109.Passion According to St. Matthew, BWV 244: 20. Recitative (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten
- 110.Passion According to St. Matthew, BWV 244: 21. Chorale: Erkenne mich, mein Hüter
- 111.Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm
- 112.Passion According to St. Matthew, BWV 244: 23. Chorale: Ich will hier bei dir stehen
- 113.Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe
- 114.Passion According to St. Matthew, BWV 244: 25. Recitative (Tenor, Chorus): O Schmerz! Hier zittert das gequälte Herz
- 115.Passion According to St. Matthew, BWV 244: 26. Aria (Tenor, Chorus): Ich will bei meinem Jesu wachen
- 116.Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig
- 117.Passion According to St. Matthew, BWV 244: 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder
- 118.Passion According to St. Matthew, BWV 244: 29. Aria (Bass): Gerne will ich mich bequemen
- 119.Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern
- 120.Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit
- 121.Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend
- 122.Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden?
- 123.Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren
- 124.Passion According to St. Matthew, BWV 244: 35. Chorale: O Mensch, bewein dein Sünde groß
- 125.Passion According to St. Matthew, BWV 244: 36. Aria (Alto) and Chorus: Ach! nun ist mein Jesus hin
- 126.Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten
- 127.Passion According to St. Matthew, BWV 244: 38. Chorale: Mir hat die Welt trüglich gerricht'
- 128.Passion According to St. Matthew, BWV 244: 39. Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten
- 129.Passion According to St. Matthew, BWV 244: 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille
- 130.Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen!
- 131.Passion According to St. Matthew, BWV 244: 42 Recitative (Evangelist, High Priest, Jesus): Und der Hohepriester antwortete / Chorus: Er ist des Todes schuldig
- 132.Passion According to St. Matthew, BWV 244: 43. Recitative (Evangelist): Da speieten sie aus / Chorus: Weissage uns, Christe
- 133.Passion According to St. Matthew, BWV 244: 44. Chorale: Wer hat dich so geschlagen
- 134.Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast / Chorus: Wahrlich, du bist auch einer von denen
- 135.Passion According to St. Matthew, BWV 244: 46. Recitative (Tenor, Bass): Da hub er an, sich zu verfluchen
- 136.Passion According to St. Matthew, BWV 244: 47. Aria (Alto): Erbarme dich, mein Gott
- 137.Passion According to St. Matthew, BWV 244: 48. Chorale: Bin ich gleich von der gewichen
- 138.Passion According to St. Matthew, BWV 244: 49. Recitative (Evangelist, Judas): Des Morgens aber hielten alle Hohepriester / Chorus: Was gehet uns das an / Chorus: Was gehet uns das an
- 139.Passion According to St. Matthew, BWV 244: 50. Recitative (Evangelist, High Priests): Und er warf die Silberlinge in den Tempel
- 140.Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder
- 141.Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat
- 142.Passion According to St. Matthew, BWV 244: 53. Chorale: Befiehl du deine Wege
- 143.Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfleger Gewohnheit / Chorus: Laß ihn kreuzigen!
- 144.Passion According to St. Matthew, BWV 244: 55. Chorale: Wie wunderbarlich ist doch diese Strafe!
- 145.Passion According to St. Matthew, BWV 244: 56. Recitative (Evangelist, Pilate): Der Landpfleger sagte
- 146.Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan
- 147.Passion According to St. Matthew, BWV 244: 58. Aria (Soprano): Aus Liebe will mein Heiland sterben
- 148.Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: Da aber Pilatus sahe / Chorus: Sein Blut komme über uns / Recitative: Da gab er ihnen Barrabam los
- 149.Passion According to St. Matthew, BWV 244: 60. Recitative (Alto): Erbarm es Gott!
- 150.Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen
- 151.Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Judenkönig
- 152.Passion According to St. Matthew, BWV 244: 63. Chorale: O Haupt voll Blut und Wunden
- 153.Passion According to St. Matthew, BWV 244: 64. Recitative (Evangelist): Und da sie ihn verspottet hatten
- 154.Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut
- 155.Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, süßes Kreuz, so will ich sagen
- 156.Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempel Gottes zerbrichst
- 157.Passion According to St. Matthew, BWV 244: 68. Recitative (Evangelist): Desgleichen schmäheten ihn auch die Mörder / Chorus: Andern hat er geholfen
- 158.Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha!
- 159.Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand
- 160.Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitative: Und bald lief einer unter ihnen / Chorus: Halt, laß sehen / Recitative: Aber, Jesus schriee
- 161.Passion According to St. Matthew, BWV 244: 72. Chorale: Wenn ich einmal soll scheiden
- 162.Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrlich, dieser ist Gottes Sohn gewesen / Recitative (Evangelist): Und es waren viel Weiber da
- 163.Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war
- 164.Passion According to St. Matthew, BWV 244: 75. Aria (Bass): Mache dich, mein Herze, rein
- 165.Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht / Recitative: Pilatus sprach zu ihnen
- 166.Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht
- 167.Passion According to St. Matthew, BWV 244: 78. Chorus: Wir setzen uns mit Tränen nieder
- 168.Sonata in A Major for Flute and Harpsichord, BWV 1032: i. Vivace
- 169.Sonata in A Major for Flute and Harpsichord, BWV 1032: ii. Largo e dolce
- 170.Sonata in A Major for Flute and Harpsichord, BWV 1032: iii. Allegro
- 171.Sonata in A Major for Flute and Harpsichord, BWV 1020: i. [Allegro]
- 172.Sonata in A Major for Flute and Harpsichord, BWV 1020: ii. Adagio
- 173.Sonata in A Major for Flute and Harpsichord, BWV 1020: iii. Allegro
- 174.Partita in A Minor for Solo Flute, BWV 1013: i. Allemande
- 175.Partita in A Minor for Solo Flute, BWV 1013: ii. Corrente
- 176.Partita in A Minor for Solo Flute, BWV 1013: iii. Sarabande
- 177.Partita in A Minor for Solo Flute, BWV 1013: iv. Bourree Anglaise
- 178.Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto
- 179.Sonata in E Major for Flute and Harpsichord, BWV 1035: ii. Allegro
- 180.Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano
- 181.Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid
- 182.Sonata in C Major for Flute and Basso Continuo, BWV 1033: i. Andante - Presto - Allegro
- 183.Sonata in C Major for Flute and Basso Continuo, BWV 1033: ii. Adagio - Menuets 1 & 2
- 184.Sonata in E Minor for Flute and Basso Continuo, BWV 1034: i. Adagio ma non tanto
- 185.Sonata in E Minor for Flute and Basso Continuo, BWV 1034: ii. Allegro
- 186.Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante
- 187.Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro
- 188.Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: i. Aria (Soprano): Weichet nur, betrubte Schatten
- 189.Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu
- 190.Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iii. Aria (Soprano): Phoebus eilt mit schnellen Pferden
- 191.Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Vergnugen
- 192.Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: v. Aria (Soprano): Wenn die Fruhlingslufte streichen
- 193.Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vi. Recitative (Soprano): Und dieses ist das Glucke
- 194.Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen
- 195.Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keuschen Liebe
- 196.Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ix. Gavotte (Soprano): Sehet in Zufriedenheit tausend helle Wohlfahrstage
- 197.Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor
- 198.Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: ii. Recitative (Soprano): Non sa che sia dolore
- 199.Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iii. Aria (Soprano): Parti pur, e con dolore
- 200.Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iv. Recitative (Soprano): Tuo saver al tempo e l'eta contrasta
- 201.Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: v. Aria (Soprano): Ricetti gramezza e pavento
- 202.Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: i. Aria (Soprano): Jauchzet Gott in allen Landen!
- 203.Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: ii. Recitative (Soprano): Wir beten zu dem Tempel an
- 204.Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iii. Aria (Soprano): Höchster, mache deine Güte
- 205.Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iv. Chorale and Aria (Soprano): Sei Lob und Preis mit Ehren; Alleluia
- 206.Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: i. Chorus: Ein feste Burg ist unser Gott
- 207.Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: ii. Aria with Chorale (Bass, Soprano): Alles, was von Gott geboren
- 208.Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iii. Recitative (Bass): Erwäge doch, Kind Gottes
- 209.Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iv. Aria (Soprano): Komm in mein Herzenshaus
- 210.Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: v. Chorale: Und wenn die Welt voll Teufel wär
- 211.Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vi. Recitative (Tenor): So stehe dann bei Christi blutgefärbten Fahne
- 212.Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vii. Duet (Alto, Tenor): Wie selig sind doch die, die Gott im Munde tragen
- 213.Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: viii. Chorale: Das Wort sie sollen lassen stahn
- 214.Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: i. Chorus: Lobet Gott in seinen Reichen
- 215.Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ii. Evangelist (tenor): Der Herr Jesus hub seine Hände auf
- 216.Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iii. Recitative (bass): Ach, Jesu, ist dein Abschied schon so nah?
- 217.Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iv. Aria (alto): Ach, bleibe doch, mein liebstes Leben
- 218.Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: v. Evangelist: Und ward aufgehoben zusehends
- 219.Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vi. Chorale: Nun lieget alles unter dir
- 220.Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vii. Evangelists (tenor and bass): Und da sie ihm nachsahen gen Himmel fahren
- 221.Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: viii. Recitative (soprano): Ach ja! so komme bald zurück
- 222.Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ix. Evangelist: Sie aber beteten ihn an
- 223.Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: x, Aria (soprano): Jesu, deine Gnadenblicke
- 224.Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: xi. Chorale: Wenn soll es doch geschehen
- 225.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 1 (a 1 clav.)
- 226.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 2 (a 1 clav.)
- 227.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 3 (canone all'unisuono a 1 clav.)
- 228.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 4 (a 1 clav.)
- 229.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 5 (a 1 o vero 2 clav.)
- 230.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 6 (canone alla seconda a 1 clav.)
- 231.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 7 (a 1 o vero 2 clav., al tempo di giga)
- 232.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 8 (a 2 clav.)
- 233.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 9 (canone alla terza a 1 clav.)
- 234.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 10 (fughetta a 1 clav.)
- 235.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 11 (a 2 clav.)
- 236.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 12 (canone alla quarta a 1 clav.)
- 237.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 13 (a 2 clav.)
- 238.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 14 (a 2 clav.)
- 239.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 15 (canone alla quinta a 1 clav.: Andante)
- 240.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 16 (ouverture a 1 clav.)
- 241.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 17 (a 2 clav.)
- 242.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 18 (canone alla sexta a 1 clav.)
- 243.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 19 (a 1 clav.)
- 244.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 20 (a 2 clav.)
- 245.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 21 (canone alla settima a 1 clav.)
- 246.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 22 (a 1 clav. alla breve)
- 247.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 23 (a 2 clav.)
- 248.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 24 (canone all'ottava a 1 clav.)
- 249.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 25 (a 2 clav.: Adagio)
- 250.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 26 (a 2 clav.)
- 251.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 27 (canone alla nona a 2 clav.)
- 252.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 28 (a 2 clav.)
- 253.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 29 (a 1 o vero 2 clav.)
- 254.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 30 (quodlibet a 1 clav.)
- 255.Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 31
- 256.Goldberg Variations, BWV988 (Clavier-Übung IV): Aria da capo
- 257.Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: i. Sinfonia
- 258.Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ii. Adagio
- 259.Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iii. Duet (Tenor, Bass) and Chorus: Kommt, eilet und laufe
- 260.Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iv. Recitative (Alto, Soprano, Tenor, Bass): O kalter Männer Sinn
- 261.Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: v. Aria (Soprano): Seele, deine Spezereien
- 262.Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vi. Recitative (Tenor, Bass, Alto): Hier ist die Gruft
- 263.263 Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vii. Aria (Tenor): Sanfte soll mein Todeskummer
- 264.Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: viii. Recitative (Soprano, Alto): Indessen seufzen wir
- 265.Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ix. Aria (Alto): Saget, saget mir geschwinde
- 266.Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: x. Recitative (Bass): Wir sind erfreut
- 267.Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: xi. Chorus: Preis und Dank
- 268.Cantata No.50: Nun ist das Heil und die Kraft (St. Michael), BWV50
- 269.Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: i. Chorus: Wachet! betet! betet! wachet!
- 270.Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ii. Recitative (Bass): Erschrecket, ihr verstockten Sünder
- 271.Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iii. Aria (Alto): Wenn kömmt der Tag
- 272.Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iv. Recitative (Tenor): Auch bei dem himmlischen Verlangen
- 273.Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: v. Aria (Soprano): Laßt der Spötter Zungen schmähen
- 274.Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vi. Recitative (Tenor): Jedoch bei dem unartigen Geschlechte
- 275.Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vii. Chorale: Freu dich sehr, o meine Seele
- 276.Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: viii. Aria (Tenor): Hebt euer Haupt empor
- 277.Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ix. Recitative (Bass): Ach, soll nicht dieser große Tag
- 278.Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: x. Aria (Bass): Seligster Erquickungstag
- 279.Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: xi. Chorale: Nicht nach Welt, nach Himmel nicht
- 280.Cantata No. 53: Schlage doch, gewünschte Stunde, BWV53: Aria, “Schlage doch, gewunschte Stunde”
- 281.Passion According to St. John, BWV245: Aria, “Est ist vollbracht”
- 282.Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, “Widerstehe doch der Sünde”
- 283.Passion According to St. Matthew, BWV244: Recitative, “Du Lieber Heiland”
- 284.Cantata No.55: Ich armer Mensch, ich Sündenknecht (22nd Sunday after Trinity), BWV55: Aria, 'Erbarme dich'
- 285.Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Recitative: “Die art verruchter Sünden”
- 286.Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, “Wer Sunde tut”
- 287.Christmas Oratorio, BWV248: Aria, “Bereite dich, Zion”
- 288.Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: i. Sinfonia
- 289.Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: ii. Arioso (Alto): Gott soll allein mein Herze haben
- 290.Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iii. Recitative (Alto): Was ist die Liebe Gottes?
- 291.Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iv. Aria (Alto): Stirb in mir, Welt
- 292.Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: v. Recitative (Alto): Doch meint es auch dabei
- 293.Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: vi. Choral: Du süße Liebe, schenk uns deine Gunst
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